Paul mccartney 3 full#
Paul mccartney 3 free#

The combination of being able to go to work, make some music, and then hang out with four of my grandkids, I was very lucky. And then IвЂ™d come home in the evening, and I just happened to be with my daughter MaryвЂ™s family. So I got got in and did that bit of work and sent it off to the director, and then I thought, вЂOh, this is nice, IвЂ™m enjoying this, this is a nice way to spend lockdown,вЂ™ so I ended up finishing off some songs, looking at bits and bobs, making up stuff, and generally enjoying myself in the studio. I had to go into the studio at the beginning of lockdown to do a couple of bits of music for an animated short film.

To start with the most obvious question, a lot of people will be thinking why now for McCartney III ? вЂњItвЂ™s me ,вЂќ he told me when I spoke with him yesterday, bringing to mind an earworm from the album thatвЂ™s hard to shake вЂ“ a hook where McCartney sings, вЂњItвЂ™s still ok to be nice.вЂќ It definitely features some of the best music McCartney has made in years, and even in its moodier moments his optimism, of course, rises to the top.

Paul mccartney 3 full#

Inside are vintage, chipper McCartney tracks, the odd eccentric to sit next to Polythene Pam, some big glam riffs, full band sounds and delicate demos, and a brilliant midway point that accurately portrays the overwhelming feeling of being in love and the current claustrophobia of 2020 lockdown. ItвЂ™s a sketchbook of freewheeling ideas completely made by one man at his home in Sussex, with daughter Mary McCartney stepping into the role of artwork photographer, previously held by her mother Linda.ДЇavouring acoustic instruments over electronic, it shares more in common with McCartneyвЂ™s debut than its follow-up a decade later, although itвЂ™s perhaps number three thatвЂ™s the most eclectic of them all, opening with a long (practically instrumental) acoustic guitar piece and continuing to throw caution to the wind after that вЂ“ a vital characteristic in making it McCartney III rather than any other Paul McCartney solo album. ThereвЂ™s no monumental band breakup this time, but all the other McCartney вЂ“isms are still there. And now, at the start of a new decade once again, McCartney has put his lockdown to good use, writing, performing, recording and producing McCartney III вЂ“ released December 11. Neither of his DIY albums were well received at the time of release, although McCartney II has become a wonky pop cult favourite since, and thereвЂ™s little denying the beautiful simplicity of McCartney with some distance from the long shadow cast by The Beatles, let alone the guts it must have taken to release it in 1970. You could easily mistake parts of it for Talking Heads, while B-side вЂCheck My MachineвЂ™ featured a sample of Tweety and Sylvester as McCartney simply enjoyed himself experimenting, with little regard for what fans or critics would think. Just as his debut distanced itself from the sound of his previous band, McCartney II abandoned the soft rock of Wings for new wave electronica, post-punk disco, krautrock and much weirder sounds altogether. McCartney II remains his most experimental solo record to date, and arguably his best. The dissolution of Wings wasnвЂ™t such a mess, but McCartney had been in the group for as long as he was The Beatles. In 1980 it was another new decade, another band breakup and another one-Paul-band album to try to make sense of it all. Pepper by rolling the dice on all that had gone before it вЂ“ and now McCartney had made something of a proto-indie record.

Paul mccartney 3 free#

Spontaneous and supernaturally free from pressure, itвЂ™s as far away from Abbey Road as you can get, but then, The Beatles had only been able to make Sgt.

Like the rest of the band, McCartney was entering a new decade as a new artist, but the boldness of his first solo album was unparalleled: consciously un-Beatles in its sparseness and homespun production style, it featured ad libbed instrumentals and an opening track ( вЂThe Lovely LindaвЂ™) originally meant only as a line-check. He recorded it in secret, mostly at home, and when it came to releasing it he did so a month before The Beatles put out their swansong, Let It Be. Recorded as The Beatles disintegrated behind closed doors in late 1969 and early 1970, McCartney wasnвЂ™t a statement in name alone вЂ“ it was a record written, performed, recorded and produced by one man whoвЂ™d been so intrinsically tied to three others. Of Paul McCartneyвЂ™s 17 solo albums, itвЂ™s his eponymous two that hold the most mythology, not only for the music thatвЂ™s on them but how they were made and when they were released.